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Such performances made it imperative that Merchant hire Walken. A waiter once asked Walken if he wanted more cowbell with his bolognese. And indeed, during theatrical curtain calls ever since, audience members have been known to bang cowbells instead of clapping. “Will Ferrell? He ruined my life,” says Walken, recalling this story. “I got a fever and the only prescription is more cowbell.” Never has he been more sinister or more funny. “Guess what?” Walken’s character tells the band, fronted by Will Ferrell. What I love about him is that he can do great charm and be very funny, but also menacing at the same time.”Ī case in point is Walken’s Saturday Night Live performance in 2000, as a psychopathic record producer who tells a fictionalised version of Blue Öyster Cult that their song (Don’t Fear) the Reaper needs “more cowbell”. “There aren’t many actors of that vintage who have that charisma and that audience recognition. “I liked the idea of this feeling a little alien in Bristol, like he’s a man who fell to Earth,” says Merchant.
#Christopher walken impression airline lost bagag series
Photograph: James Pardon/BBC/Big Talk/Four EyesĪ light-fingered actor specialising in disturbed characters? No wonder Stephen Merchant felt compelled to cast Walken as Frank, a US career criminal from Stateside sentenced to do community payback in Bristol for his new series The Outlaws. Walken shows off his moves in The Outlaws. “When I finished the last scene I went back to my dressing room and everything was gone. I steal.” When he played Max Shreck in Tim Burton’s Batman Returns, he decided to keep his character’s cufflinks and bow tie. “Whenever I do a movie, all my clothing is from the set. “I never buy clothes,” he said at the time. “He was the character who really haunted me for a long time.” Haunted is right: 20 years after the film was released, he turned up to an interview in the Giorgio Armani jacket he wore in the film. In Paul Schrader’s 1990 adaptation of Ian McEwan’s The Comfort of Strangers, he played a devilish character embroiled in Venetian S&M and murder. Walken discards his characters when he gets home from work, he says, with one exception. Early on, I got a thing going playing people who were, let’s say, off-centre – gangsters, suicides and all sorts of things.” Is there a key to playing those parts? “The best lesson I learned in acting was to do as little as possible.” “Very few actors,” says Walken, “choose their roles. “You put the gun to your head, Chris, you shoot, you fall over and Bobby cradles your head.” The part earned Walken an Oscar. When Cimino shot that scene, he had only the scantest of instructions for Walken and De Niro.
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Walken’s character has become a heroin addict and professional gambler – the very emblem of a generation broken by America’s lost war. Years later, near the film’s bitter denouement, Mike finds Nick looking gaunt and raddled in a Saigon gambling den (a look achieved by Walken subsisting for a week on a diet of bananas and rice), playing one last game of Russian roulette. Right down to the slap in the face.” In one scene, De Niro, as Nick’s old deer-hunting chum Mike, encouraged an actor playing a captor to slap Walken without warning to make the scene pop. “We shot that in the jungle,” recalls Walken. In Michael Cimino’s The Deer Hunter, Walken upped the disturbed ante as Nick Chevotarevich, a Pennsylvania steelworker traumatised by his Vietnam tour, and by being forced to play Russian roulette by his Viet Cong captors. “Well, I have to go now, Duane, because I’m due back on the planet Earth.” I have this sudden impulse to turn the wheel quickly, head-on into the oncoming car … ” “Right,” replies Alvy, sensibly backing away. “Sometimes when I’m driving on the road at night I see two headlights coming toward me. “Can I confess something?” Duane asks Allen’s character Alvy Singer in a darkened room. In 1977’s Annie Hall, Walken played Duane Hall, Annie’s oddball brother. “My whole acting career was a kind of accident,” he tells me down the phone from his home in rural Connecticut.
#Christopher walken impression airline lost bagag tv
He was never quite as deranged as Dennis Hopper, perhaps, but those fixed staring eyes and a rictus smile more mirthless than Robert De Niro’s have helped convey instability and menace for more than half a century in more than 100 films and TV shows.
I n between his early days as a lion tamer and his latest turn as an old lag doing community service in Bristol, Christopher Walken was Hollywood’s go-to guy for disturbed individuals.
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